Chicago: The Old Man and The Old Moon, Yellow Moon, Hesperia, Travels with my Aunt (Writers); The Miraculous Journey of Edward Tulane, Frederick (Chicago Children’s Theatre); The Merchant on Venice by Shishir Kurup, Golden Child, Back of the Throat, 10 Acrobats in an Amazing Leap of Faith (Silk Road Rising). Regional: The Old Man and The Old Moon (Williamstown Theatre Festival, New Victory – NYC, ArtsEmerson – Boston); Tribes (Philadelphia Theatre Company & City Theatre);Oblivion, Blackbird, Mary’s Wedding, The Moonlight Room (City Theatre); Circle Mirror Transformation, In the Next Room (or the vibrator play), Crime and Punishment, The Lieutenant of Inishmore (The Repertory Theatre of St. Louis); The Pillowman, The Lieutenant of Inishmore, The False Servant, Stones in his Pockets (PICT). Stuart served five seasons as associate artistic director at Writers from 2009-14 and two seasons at City Theatre from 2007-2009.

Northlight: The Mousetrap, You Can’t Take It With You, Charm, Faceless, The Mother of the Maid, Mansfield Park, How A Boy Falls. Regional: Dishwasher Dreams (Writers Theatre, Hartford Stage), Fahrenheit 451 (Indiana Repartory Theatre); Million Dollar Quartet Christmas (Evan Bernardin Productions, The Phoenix Theatre Company); Pride and Prejudice (Long Wharf Theatre); King of The Yees (Goodman Theatre, Kirk Douglas Theatre); Cambodian Rock Band (Victory Gardens Theater, City Theatre Company, Merrimack Repertory); The Who And The What (Milwaukee Rep); Animal Farm (Milwaukee Rep, Baltimore Center Stage); Other credits: Animal Farm, The Crucible, We Are Proud To Present…, The Constellations, A Doll’s House, Part 2 (Steppenwolf Theatre Company); An Issue Of Blood, The House That Will Not Stand, A Wonder In My Soul, If I Forget (Victory Gardens Theater); Smart People, A Doll’s House (Writers Theatre); Harvey, Titanic (Court Theatre). Affiliations: United Scenic Artists USA-829. Educa­tion: M.F.A. in Stage Design, Northwestern University.

Christine has designed for Writers, Steppenwolf, Chicago Shakespeare, Court, Lookingglass, Geva Theatre, and the Joffrey Ballet among others.  Her opera designs include work at the Lyric Opera of Chicago, Chicago Opera Theatre, San Diego Opera, New York City Opera, Pittsburgh Opera, Canadian Opera Company, and Houston Grand Opera.  Recent designs include: Mansfield Park (Northlight), A Doll’s House, Part 2 (Steppenwolf), and Onegin (Canadian Opera Company and Washington National Opera). Upcoming productions are: The Agitators (Alabama Shakespeare); The Last Match (Writers); Her Honor Mayor Jane Byrne, Lookingglass Alice (Lookingglass); and Onegin (Seiji Ozawa Festival/Matsumoto, Japan). Ms. Binder has been nominated for Joseph Jefferson Awards for her work with Court, Northlight, and Lookingglass.  She is an Artistic Associate with Lookingglass and Head of Lighting at The Theatre School at DePaul University.

Andrew returns to Northlight where he previously collaborated on Discord, Funnyman, Outside Mullingar, White Guy on the Bus, Tom Jones, Stella & Lou, The Outgoing Tide, She Stoops to Conquer and Mauritius. Andy is an Associate Artist at TimeLine where he has been designing since 1999.  Regionally he has composed for American Players, Indiana Rep, Summer Shakespeare at Notre Dame and Montana Shakespeare in the Parks.

Steph is a Chicago based Choreographer/Director/Performer/Educator who creates to affirm the visual, sonic, and storytelling power of all bodies and all people. She serves as a Resident Director of Albany Park Theater Project and Artistic Associate of Chicago Dance Crash. Theater credits include Short Shakespeare! Romeo + Juliet (Chicago Shakespeare); Last Stop on Market Street (Chicago Children’s Theatre); In the Red and Brown Water (Northwestern University); Ofrenda, Learning Curve, Feast (Albany Park Theater Project). Regional theater credits include The Wolves (Studio Theatre), The Royale (City Theatre, Repertory Theater of St. Louis). Next up, Steph’s work will be featured in Richard III at Shakespeare Theater Company. She is a 2017 3Arts Make a Wave grantee and a proud alum of Northwestern University.

Eva is a voice and text coach based in Chicago. Recent Chicago credits include Nell Gwynn (Chicago Shakespeare), Lady In Denmark (Goodman), The Doppelganger (Steppenwolf), Plantation! (Lookingglass), Master Class (Timeline), The Belle of Amherst (Court Theatre). Regional: Four seasons with American Players Theatre; Miss Bennet: Christmas at Pemberley, The Who and the What, Always Patsy Cline (Milwaukee Rep); Love’s Labour’s Lost (Actor’s Theatre of Louisville); The Woman in Black (US Tour); Around The World In 80 Days (Baltimore Center Stage/Kansas City Repertory) and Mamma Mia! (National Tour/Las Vegas). Television: Empire, Betrayal, The Chicago Code. Eva is an associate artist at TimeLine Theatre Company.

Kimberly is excited to be returning to Northlight Theatre. Her Northlight credits include Book of Will, Miss Bennet: Christmas at Pemberley, You Can’t Take it With You and Civil War Christmas. Chicago credits: Having Our Say, A View from the Bridge, Objects in the Mirror, Gloria, and Wonderful Town (Goodman) and Million Dollar Quartet. Broadway: Curtains. Off-Broadway credits: Bill W. and Dr. Bob, How to Save the World, John Ferguson. Regional: Tuacahn Center for the Arts, Skylight Music Theatre, and Milwaukee Rep. Other credits include Illinois Shakespeare Festival, Colorado Shakespeare Festival, and numerous productions at The Juilliard School. Kimberly is a proud member of Actors Equity.

Kate is thrilled to be working at Northlight Theatre. Kate is a Chicago based stage manager and has worked for such companies as American Blues Theatre, Paramount Theatre, Court, Goodman, The Great River Shakespeare Festival, Resident Ensemble Players, Lyric Theatre of Oklahoma, and the Oklahoma City Ballet. Kate is a proud member of Actors’ Equity Association.