Three men reunite in the aftermath of the Civil War – a Jewish Confederate soldier and two former slaves who were raised in his household. As the men struggle to rebuild their lives, they uncover a tangle of secrets that threatens their family and their shared faith.
Production photos by Michael Brosilow
Derek feels very fortunate to be making his Northlight debut on such an amazing play. His recent credits include Three Sisters and The March (Steppenwolf Theatre), Chicago Boys (Goodman Theatre), Waiting for Lefty (American Blues Theater) and Orpheus Descending (Shattered Globe). Other companies he has had the pleasure to work with include Court, Next, Timeline, Pinebox and Trap Door Theatres. He is represented by the dynamic Paonessa Talent Agency and is a proud member of Actor’s Equity.
Sean returns to Northlight where he was previously seen in Curve of Departure and The Whipping Man. Other Chicago credits include a two man show entitled Space Age with real life intimate partner Ricardo Gamboa (Free Street Theatre); Blues for an Alabama Sky (Court); The Magic Play (Goodman, Portland Center Stage at the Armory, Syracuse Stage); Compass, Animal Farm, The Drunken City (Steppenwolf); and A Girl With Sun in Her Eyes (Pinebox Theatre). TV: Chicago PD (NBC), The Chi (Showtime), and Brujos (OpenTV’s original web series). Sean was born in L.A., raised in Miami and Georgia by his amazing mom, and currently lives in Chicago. Sean received his MFA from Depaul University’s Theatre School, is a graduate of Black Box Acting Academy and is represented by Paonessa Talent Agency.
Tim Edward Rhoze
Tim is the Producing Artistic Director of the Fleetwood-Jourdain Theatre in Evanston, Illinois; he has directed For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, Having Our Say, Five Guys Named Moe, From the Mississippi Delta, Heat, Home, and playwright Tania Richards’ solo performance in her autobiographical Truth Be Told. Tim has performed at the Goodman Theatre in over a dozen plays, and more than 30 other productions at Steppenwolf, Victory Gardens, Detroit Repertory Theatre, Detroit’s Harmonie Park Playhouse, Plow Shares and Attic Theatres, Wayne State University’s Hilberry Repertory, University of Detroit Theatre Company & Geva Theatre in Rochester New York.
Matthew is the author of The Whipping Man, one of the most widely-produced American plays of the last decade. The Legend of Georgia McBride premiered at the Denver Center and then produced in New York by MCC and in Los Angeles at the Geffen Playhouse. Other plays include Somewhere (Old Globe, world premiere), Reverberation (Hartford Stage Company, world premiere), The Sentinels (London’s Headlong Theatre Company) and Zoey’s Perfect Wedding (upcoming world premiere at the Denver Center, 2018). Matthew holds commissions from Roundabout Theatre Company, Manhattan Theatre Club, South Coast Rep, The Geffen Playhouse and Williamstown Theatre Festival. Matthew was a writer on the HBO series The Newsroom and is currently writing the biopic Dr. Q for Disney.
Previously at Northlight: 4000 Miles, The Whipping Man. Broadway: Disgraced (2013 Pulitzer Prize, Best Play Tony nominee). Her many Chicago credits include Disgraced; Rapture, Blister, Burn (The Goodman); Marjorie Prime, The Diary of Anne Frank, Hedda Gabler, The Letters (Writers Theatre, where she is a Resident Director); Want, The North Plan(Steppenwolf); Inana, My Name is Asher Lev, All My Sons, Dolly West’s Kitchen (TimeLine Theatre, where she is an Associate Artist); Disgraced (American Theater Company); Waiting for Lefty (American Blues), among others. New York and regional credits include: Sex with Strangers (Geffen Playhouse); Disgraced (Lincoln Center Theater 3, Seattle Rep, Berkeley Rep);The Who and The What (La Jolla Playhouse, Lincoln Center Theater 3); Little Gem (City Theatre); Games Afoot, Murder on the Nile, A Few Good Men(Peninsula Players); Mauritius (Theatre Squared, Fayetteville, AR). Kimberly is a proud member of SDC. kimberlysenior.net
Jack most recently designed Discord and Mothers and Sons at Northlight. Recent Chicago and regional design credits include Other Than Honorable (Geva Theatre), Evita (Kansas City Rep), The Flick (Steppenwolf), Rapture Blister Burn (Goodman), The Who and The What (Lincoln Center Theatre-LCT3 and La Jolla Playhouse), Long Day’s Journey Into Night (Court), East Texas Hot Links and The Diary of Anne Frank (Writers), South Pacific (Clarence Brown Theatre), Man of La Mancha and The Mousetrap (Milwaukee Repertory Theatre). Ten Jeff Award nominations include designs for The Diary of Anne Frank (Writers) and Long Day’s Journey Into Night (Court). Upcoming projects include A Flea In Her Ear (American Players Theatre) and Fences (Kansas City Rep). Jack lives in Chicago and teaches design at The Theatre School at DePaul University. www.jackmagaw.com
Rachel is honored to be joining Northlight for the 23rd time after last season’s By the Water and Relativity. Her designs have previously been seen Off Broadway at Pearl Theatre and regionally at Chicago Shakespeare, Steppenwolf First Look, Writers, Court, Milwaukee Rep, Great Lakes Theatre, Idaho Shakespeare, American Players, Florentine Opera, Drury Lane, Arizona Theatre Company, Resident Ensemble Players, Kansas City Rep, Utah Shakespeare, Actors Theatre Louisville, Illinois Shakespeare, Next Act, Peninsula Players, Remy Bumppo, Timeline, Chamber, Renaissance Theaterworks, Skylight Music Theatre, Arkansas Shakespeare, Children’s Theatre of Madison and University of Michigan. Other professional credits include NBC’S Law & Order, Chicago Opera Theatre, and Garsington Opera. Rachel is a recipient of a 2011 Emerging Artist Award from the University of Michigan and a 2009 Joseph Jefferson Award for Voysey Inheritance. www.rachellaritz.com
Christine A. Binder
Christine has designed for Writers, Steppenwolf, Chicago Shakespeare, Court, Lookingglass, Geva Theatre, and the Joffrey Ballet among others. Her opera designs include work at the Lyric Opera of Chicago, Chicago Opera Theatre, San Diego Opera, New York City Opera, Pittsburgh Opera, Canadian Opera Company, and Houston Grand Opera. Recent designs include: Mansfield Park (Northlight), A Doll’s House, Part 2 (Steppenwolf), and Onegin (Canadian Opera Company and Washington National Opera). Upcoming productions are: The Agitators (Alabama Shakespeare); The Last Match (Writers); Her Honor Mayor Jane Byrne, Lookingglass Alice (Lookingglass); and Onegin (Seiji Ozawa Festival/Matsumoto, Japan). Ms. Binder has been nominated for Joseph Jefferson Awards for her work with Court, Northlight, and Lookingglass. She is an Artistic Associate with Lookingglass and Head of Lighting at The Theatre School at DePaul University.
Christopher Kriz is a composer and sound designer based in Chicago and is pleased to return to Northlight having previously designed Mothers and Sons, 4000 Miles, The Whipping Man, Black Pearl Sings!, and Eclipsed. Chicago: Goodman Theatre, Steppenwolf, Chicago Shakespeare, Chicago Symphony Orchestra, Court Theatre, Remy Bumppo, Victory Gardens, Timeline Theatre, Shattered Globe Theatre, The Gift Theatre, and many others. Regional: Seattle Repertory Theatre, Kansas City Repertory Theatre, Indiana Repertory Theatre, Alabama Shakespeare Festival, Crossroads Theatre, Montana Shakespeare Festival, Nebraska Repertory Theatre, Michigan Shakespeare Festival, and others. A winner of five Joseph Jefferson Awards, Kriz is a proud member of United Scenic Artists 829. To hear more of his work, please visit christopherkriz.com
Laura D. Glenn
Production Stage Manager
Over the past fourteen years with Northlight, production stage management credits include Outside Mullingar, The Mousetrap, Chapatti, The Whipping Man, The Odd Couple, Ten Chimneys, Season’s Greetings, Sense & Sensibility, A Life, Souvenir, Better Late (also at the Galway Arts Festival), Retreat from Moscow, Permanent Collection, Cat Feet, Blue/Orange, Tuesdays with Morrie, Sky Girls, Rounding Third and A Skull in Connemara. Other credits include stage management for Domesticated, Grand Concourse, The Qualms, Lord of the Flies, Slowgirl, Head of Passes, Three Sisters,Middletown, To Kill a Mockingbird, a parallelogram, Superior Donuts, Betrayal, Love Song, I Never Sang for my Father, The Violet Hour, Purple Heart, The Drawer Boy, Picasso at the Lapin Agile and many others at Steppenwolf over the past twenty-five years. International credits include Orange Flower Water and Purple Heart (Steppenwolf) at the Galway Arts Festival in Galway, Ireland; The Man Who Came to Dinner – BITE festival at the Barbican Center in London; and the regional and Broadway productions of Buried Child. Laura has been a proud member of Actors Equity Association for almost twenty-six years.